The Case for Global Film

The Case for Global Film

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Monthly Archives: April, 2018

  • ¡Viva! Festival 2018: Casi leyendas (Legends, Argentina-Spain 2017) April 30, 2018
  • Ken Loach: honoured and pilloried April 28, 2018
  • When a Peking Family Meets an Au Pair (Yang Niu Dao Wo Jia, China 2014) April 27, 2018
  • Gholam (UK-Iran 2017) April 26, 2018
  • The Misandrists (Germany 2017) April 26, 2018
  • Trevor Mathison: ‘Post-Soul Noise’ April 24, 2018
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  • Roy Stafford on Bergman Island (France-Sweden 2021)
  • film-authority.com on Bergman Island (France-Sweden 2021)

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  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Michael Walker 1942 to 2022
    • The Magnificent Ambersons (US 1942)
    • ‘The Three Godfathers’ – novel and film
    • BAFTAS 2022
    • ‘Bloody Sunday’: fifty years on …
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Les Olympiades (Paris 13th District, France 2021)
    • Twelve O’Clock High (US 1949) and ‘The Bomber Mafia’
    • Manohar & I (Ami O Manohar, India (Bengali) 2018)
    • La notte (The Night, Italy-France 1961)
    • Women’s Prison (US 1955)

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