The Case for Global Film

Discussing everything that isn't Hollywood (and a little that is)
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Daily Archives: 3 April, 2018

  • The Silent Child (UK 2017) April 3, 2018

Recent Posts

  • Women Animators From Near and Far
  • The Cruel Sea (UK 1953)
  • Puzzle (US 2018)
  • Panavision in Pictures
  • Yardie (UK 2018)
  • Deadfall (UK 1968)
  • Eyewitness (UK 1956)
  • Not Just Bollywood at HOME Manchester
  • Eat Drink Man Woman (Yin shi nan nu, Taiwan-US 1994)
  • BlacKkKlansman (US 2018)
  • Scalarama 2018
  • Life At the Top (UK 1965)

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RSS The Global Film Book Blog

  • Under the Tree (Undir trénu, Iceland-Poland-Denmark 2017) August 21, 2018
    At first, I was under the misapprehension that Under the Tree was a follow-up to Rams (2015), the Icelandic film that became a surprise arthouse hit in the UK in 2016. I was wrong. Under the Tree is a different writing and directing team. Hafsteinn Gunnar Sigurðsson wrote and directed the film with Huldar Breiðfjörð as … Continue reading Under the Tree (Undi […]
  • The Bridges of Sarajevo (France-Bosnia-Herzogovina-Germany-Italy-Switz-Portugal-Bulgaria 2014) July 25, 2018
    This compendium/portmanteau film features the work of 13 European directors who were asked to represent aspects of Sarajevo’s turbulent history. The film was completed for the centenary of the 1914 assassination of Archduke Franz Ferdinand which triggered the First World War. Since then the city, which had been in Austrian-Hungarian control since 1978 after […]
  • The Nile Hilton Incident (Sweden-Denmark-Germany 2017) May 15, 2018
    The Nile Hilton Incident is an intriguing film, not only in its presentation of an exciting crime thriller in a precise location, but also as a film production which invokes a specific kind of response. In its own way it’s the perfect case study for ideas about global film. This  film is a product of … Continue reading The Nile Hilton Incident (Sweden-Denmar […]
  • Gholam (UK-Iran 2017) April 26, 2018
    This unusual film places a major Iranian star actor, known in the West for three leading roles in the films of Asghar Farhadi, into a downbeat slow-paced thriller set in parts of North London. The director is Mitra Tabrizian, Professor of Photography at the University of Westminster whose 2005 exhibition ‘Border’ appears to have been … Continue reading Ghola […]
  • Las Plantas (Plants, Chile 2015) March 26, 2018
    Chilean cinema has certainly developed in recent years. This month a Chilean film won the Best Foreign Language Film Oscar and here is a first-time writer-director Roberto Doveris creating an unusual coming-of-age story which succeeds on several levels. A weird and wonderful tale, Las Plantas combines genres and ideas that don’t always cohere, but the … Cont […]
  • Godspeed (Yi Lu Shun Feng, Taiwan 2016) February 21, 2018
    This year’s Chinese New Year screening at HOME Manchester presented by the Chinese Film Forum UK and the Confucius Institute at The University of Manchester, was a Taiwanese film. We’ve had a variety of features over the last few years in Manchester and they have usually been films that haven’t been acquired for UK release. … Continue reading Godspeed (Yi Lu […]

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Top Posts

  • Bicycle Thieves (Ladri di biciclette, Italy 1948)
  • Hero (China/Hong Kong 2002) – Narrative analysis
  • Rabbit-Proof Fence (Australia 2002)
  • Charlie (India 2015, Malayalam)
  • BIFF 1: And Then Came Lola (US 2009)
  • Il Cinema Ritrovato 2018

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RSS Media Student’s Book Blog

  • Balancing left and right
    The Labour leadership election appears to have got the UK press and broadcasting media in a real tizz. One of the most aggravating aspects of the reporting is the constant appendage of ‘left-wing’ to any reference to Jeremy Corbyn. He is … Continue reading →
  • Defining the other
    The 10th anniversary of the ‘7/7 bombings’ in 2005 in London saw a range of remembrance events across the UK. These resulted in a great deal of media coverage. One BBC radio reporter referred to the four young bombers and … Continue reading →
  • Getting the balance right
    The local elections in England last week produced two examples of quandaries for broadcasters. The big story for the BBC and other commentators was the rise of the UK Independence Party (UKIP), led by a curiously charismatic Nigel Farage. UKIP are … Continue reading →
  • Welsh TV noir: Hinterland (UK 2013)
    Hinterland is a good example of the global/local. Like some other modern states the UK has statutory requirements and cultural policies that protect the other languages in the Home Nations and this means support for both Welsh and Gaelic broadcasters … Continue reading →

RSS Cineuropa

  • Cold War wins the Polish Film Festival - Festivals – Poland
    Paweł Pawlikowski’s film has scooped the Golden Lions in Gdynia, while Filip Bajon’s The Butler pocketed the Silver Lions and three further prizes
  • Fatih Akin prepares to don The Golden Glove - Production – Germany
    The Golden Globe-winning German director is preparing a story about a serial killer, which is now in post-production
  • Memoir of War is the French candidate for the Oscars - Oscars 2019 – France
    Emmanuel Finkiel’s feature, an adaptation of one of Marguerite Duras’ works, will represent France in the race for a nomination for the Oscar for Best Foreign-language Film
  • Interview: Louis Garrel • Director - “Because I’m French, I wanted to make a film about men and women” - San Sebastián 2018 – Competition
    SAN SEBASTIÁN 2018: We chatted to French filmmaker Louis Garrel about his second feature, A Faithful Man, revolving around a passive individual caught in a love triangle
  • Review: A Faithful Man - San Sebastián 2018 – Competition
    SAN SEBASTIÁN 2018: In his second feature-length opus, Louis Garrel pays tribute to Truffaut’s Stolen Kisses and shows a touch of Woody Allen
  • Review: The Innocent - San Sebastián 2018 - Competition
    SAN SEBASTIÁN 2018: Simon Jaquemet presents his much-anticipated second feature film, a hallucinatory journey that delves deep into the human mind
  • Basque Audiovisual makes its presence felt at the 66th San Sebastián Film Festival - Sponsored
    For the first time, the San Sebastián Film Festival (21-29 September) will welcome the Basque Audiovisual brand to the Europe-Latin America Co-Production Forum
  • Interview: Olivier Masset-Depasse • ​​Director - "I'm the kind of filmmaker that tries to create a different style of film each time" - Toronto 2018 - Special Presentations
    TORONTO 2018: Belgian director Olivier Masset-Depasse returned to Toronto with his third feature Mothers' Instinct, and we talked to him about it

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