The Case for Global Film

The Case for Global Film

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Daily Archives: 23 February, 2022

  • Asako I & II (Netemo sametemo, Japan-France 2018) February 23, 2022

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Recent Posts

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  • Specialised Cinemas in the UK
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American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism Nouvelle vague polar police procedural political cinema political thriller psychological thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
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    • Michael Walker 1942 to 2022
    • The Magnificent Ambersons (US 1942)
    • ‘The Three Godfathers’ – novel and film
    • BAFTAS 2022
    • ‘Bloody Sunday’: fifty years on …
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
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    • The Day After I’m Gone (Israel-France 2019)
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    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
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    • Manohar & I (Ami O Manohar, India (Bengali) 2018)
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    • Women’s Prison (US 1955)
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    • The General (Ireland-US 1998)

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