The Case for Global Film

The Case for Global Film

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Monthly Archives: May, 2020

  • The Hidden Blade (Kakushi ken oni no tsume Japan, 2007) May 31, 2020
  • Tehran Taboo (Germany-Austria 2017) May 30, 2020
  • Impasse du deux anges (France 1948) May 29, 2020
  • La bête humaine (France 1938) May 26, 2020
  • Take Me Somewhere Nice (Bosnia-Netherlands 2019) May 25, 2020
  • Against the Wind (UK 1948) May 23, 2020
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  • Night Moves (US 1975)
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  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
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Film and Media Education since 1990

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  • Night Moves (US 1975)
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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Jean-Luc Godard, 1930 to 2022
    • Michael Walker 1942 to 2022
    • The Magnificent Ambersons (US 1942)
    • ‘The Three Godfathers’ – novel and film
    • BAFTAS 2022
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Night Moves (US 1975)
    • The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)
    • Official Competition (Competencia oficial, Argentina-Spain 2021)
    • Smile Orange (Jamaica 1976)
    • Ridley (UK 2022)

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