The Case for Global Film

The Case for Global Film

Films from everywhere and every era
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Monthly Archives: November, 2018

  • A Star is Born (US 1937) November 29, 2018
  • Widows (UK-US 2018) November 29, 2018
  • The Reports on Sarah and Saleem (Netherlands, Palestine, Germany, Mexico 2018) November 29, 2018
  • Roger Corman’s Frankenstein Unbound (USA 1990) November 25, 2018
  • Cowboy (Vaquero, Argentina 2011) November 23, 2018
  • LIFF#14: Too Late to Die Young (Tarde Para Morir Joven Chile-Arg-Brazil-Netherlands-Qatar 2018) November 21, 2018
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  • The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)
  • Jean-Luc Godard, 1930 to 2022
  • Official Competition (Competencia oficial, Argentina-Spain 2021)
  • Smile Orange (Jamaica 1976)
  • Ridley (UK 2022)
  • The Naked City (US 1948)

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Recent Comments

  • Roy Stafford on The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)
  • keith1942 on The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)
  • John David Hall on The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)
  • John David Hall on Official Competition (Competencia oficial, Argentina-Spain 2021)
  • film-authority.com on Official Competition (Competencia oficial, Argentina-Spain 2021)
  • Roy Stafford on Ridley (UK 2022)

Pages

  • About us
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  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism Nouvelle vague polar police procedural political cinema political thriller psychological thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Jean-Luc Godard, 1930 to 2022
    • Michael Walker 1942 to 2022
    • The Magnificent Ambersons (US 1942)
    • ‘The Three Godfathers’ – novel and film
    • BAFTAS 2022
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)
    • Official Competition (Competencia oficial, Argentina-Spain 2021)
    • Smile Orange (Jamaica 1976)
    • Ridley (UK 2022)
    • The Naked City (US 1948)

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