The Case for Global Film

The Case for Global Film

Films from everywhere and every era
  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

Monthly Archives: December, 2017

  • Feud (US 2017) December 30, 2017
  • Sapphire (UK 1959) December 29, 2017
  • 2017 in Review December 29, 2017
  • Mountains May Depart (Shan He Gu Ren – Mountains and Rivers, Old Acquaintance, China-Japan-France 2015) December 23, 2017
  • State of Siege (État de siège France-Italy-West Germany 1972) December 19, 2017
  • Notes on Key Concepts for teachers and students: Arrival (US-Canada 2016) December 17, 2017
Older Posts

Translate

Recent Posts

  • Les Olympiades (Paris 13th District, France 2021)
  • Twelve O’Clock High (US 1949) and ‘The Bomber Mafia’
  • Manohar & I (Ami O Manohar, India (Bengali) 2018)
  • La notte (The Night, Italy-France 1961)
  • Women’s Prison (US 1955)
  • Bergman Island (France-Sweden 2021)

Categories

  • A Level Film and Media (16)
  • Afghan film (2)
  • African Cinema (64)
  • African-American Cinema (50)
  • American Independents (152)
  • Animation (31)
  • Anniversaries (6)
  • Arab Cinema (44)
  • Argentinian Cinema (35)
  • Australian Cinema (39)
  • Avant-garde cinema (10)
  • Belgian Cinema (22)
  • BFI (21)
  • Biopic (36)
  • Book Reviews (20)
  • box office (15)
  • Brazilian Cinema (14)
  • British Cinema (450)
  • Canadian Cinema (57)
  • Censorship (5)
  • Central Asia (1)
  • Chinese Cinema (102)
    • Hong Kong cinema (3)
    • Taiwan Cinema (8)
  • Cinematography (8)
  • Comedies (219)
  • Courses (3)
  • Day Schools (5)
  • Diaspora film (25)
  • Digital film (16)
  • Documentary (179)
  • Early film (7)
  • East Asian Cinema (17)
  • East European Cinema (82)
  • European Cinema (40)
  • Exhibitors (27)
  • Festivals and Conferences (685)
  • Film acting (7)
  • Film archives (8)
  • Film audiences (15)
  • Film awards lists (18)
  • Film culture (26)
  • Film distribution (31)
  • Film education (10)
  • Film exhibition (45)
  • Film history (19)
  • Film industry (43)
  • Film music (6)
  • Film Reviews (110)
  • Film theory (3)
  • Films about children (4)
  • Films by women (379)
  • Films for children (19)
  • French Cinema (310)
  • German Cinema (129)
  • Global television (65)
  • Hollywood (216)
  • Home (1)
  • Horror (69)
  • Indian Cinema (146)
    • Bengali Cinema (21)
    • Hindi Cinema (34)
    • Indian independent (44)
    • Malayalam cinema (2)
    • Tamil Cinema (17)
    • Urdu (1)
  • Iranian Cinema (30)
  • Irish Cinema (21)
  • Italian cinema (57)
  • Japanese Cinema (145)
  • Korean Cinema (34)
  • Latin American Cinema (91)
  • Literary adaptations (91)
  • Melodrama (419)
  • Mexican Cinema (33)
  • Musical (18)
  • Nordic Cinema (131)
    • Danish Cinema (50)
    • Finnish Cinema (9)
    • Icelandic Cinema (14)
    • Norwegian Cinema (13)
    • Swedish Cinema (57)
  • Novels (2)
  • One Hour Intros (1)
  • Pakistani Cinema (5)
  • Palestinian Cinema (24)
  • People (184)
    • Directors (139)
    • Stars (48)
  • Polish Cinema (37)
  • Politics on film (100)
  • Programmes (2)
  • Romance (162)
  • Russian cinema (25)
  • Short films (23)
  • Silent Era (41)
  • South East Asian Cinema (1)
    • Thai Cinema (1)
  • Soviet Cinema (16)
  • Spanish Cinema (96)
  • Sport on Film (25)
  • Swiss Cinema (7)
  • Taiwan Film (10)
  • Thai Cinema (2)
  • the Western (39)
  • Turkish Cinema (15)
  • TV (13)
  • Womens Film (62)

Recent Comments

  • keith1942 on La notte (The Night, Italy-France 1961)
  • film-authority.com on La notte (The Night, Italy-France 1961)
  • Roy Stafford on Women’s Prison (US 1955)
  • John David Hall on Women’s Prison (US 1955)
  • Roy Stafford on Bergman Island (France-Sweden 2021)
  • film-authority.com on Bergman Island (France-Sweden 2021)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism Nouvelle vague polar police procedural political cinema political thriller psychological thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,208 other followers

StatCounter

Web Analytics Made Easy - StatCounter

Film and Media Education since 1990

Blogroll

  • Early & silent cinema
  • Friends of the Hyde Park Picture House
  • Movie Mahal
  • Nick Lacey on films
  • Omar’s Film Blog
  • Reel Language
  • Talking Pictures
  • The Case for Global Film
  • The Global Film Book Blog
  • The Seventh Art
  • Third Cinema Blog
  • Women's Film and TV History Network
  • WordPress.com
  • World Cinema Foundation

film academics and bloggers

  • Chinese Film Forum UK
  • CinemaScope
  • David Bordwell’s Site
  • Dear Cinema
  • Dynamics of World Cinema
  • Film Studies for Free
  • Indian Auteur
  • Jigsaw Lounge
  • Racialicious
  • Strictly Film School
  • The Spinning Image
  • Third Cinema Website
  • Women in World Cinema
  • Women Make Movies

film education

  • Auteur Publications
  • BFI Screenonline
  • Into Film
  • Media Education Association
  • South Island School, HK: Media Wiki

film industry

  • Chinese Films
  • Cineuropa
  • CNC (French National Cinema Centre)
  • Czech Film Centre
  • Dgenerate films
  • Film Portal (Germany)
  • Korean Film Council
  • Lumiere Database
  • Motion Pictures Producers of Japan
  • New Zealand Film Commission
  • Polish Film Institute
  • Screen Australia
  • Sign and Sight
  • Sisters in Cinema
  • Swedish Film Institute
  • Taiwan Cinema
  • UK Film Council
  • UniFrance
  • UniJapan – Portal for Japanese 'Moving Image' Industry

film journals

  • Cineaste
  • filmint
  • Framework
  • Jump Cut
  • Midnight Eye
  • MUBI
  • Offscreen
  • Screen
  • Senses of Cinema
  • Sight & Sound
  • Vertigo

Follow itpworld on Twitter

My Tweets

Top Posts

  • The Promise (La promesse, France 2020)
  • Tsotsi (South Africa/UK 2005) – A narrative analysis
  • L'amant (The Lover, France-UK 1992)
  • Water Lilies (Naissance des pieuvres, France 2007)
  • Shape of Red (Red, Japan 2020)
  • ¡Viva! 23 #1: La Madre (Spain-France-Romania 2016)

Admin

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blog Stats

  • 1,706,663 hits

Recent visitor flags

Free counters!
December 2017
M T W T F S S
 123
45678910
11121314151617
18192021222324
25262728293031
« Nov   Jan »

Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Michael Walker 1942 to 2022
    • The Magnificent Ambersons (US 1942)
    • ‘The Three Godfathers’ – novel and film
    • BAFTAS 2022
    • ‘Bloody Sunday’: fifty years on …
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Les Olympiades (Paris 13th District, France 2021)
    • Twelve O’Clock High (US 1949) and ‘The Bomber Mafia’
    • Manohar & I (Ami O Manohar, India (Bengali) 2018)
    • La notte (The Night, Italy-France 1961)
    • Women’s Prison (US 1955)

Archives

Networked Blogs

Follow this blog
Blog at WordPress.com.
  • Follow Following
    • The Case for Global Film
      • Join 1,208 other followers
    • Already have a WordPress.com account? Log in now.
    • The Case for Global Film
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...