Roy Stafford

Author: Roy Stafford

2406 Posts

Korean Cinema, Romance

Decision to Leave (Heojil kyolshim, South Korea 2022)

November 14, 2022 — 1 Comment

British Cinema, Global television

SAS Rogue Heroes (UK 2022)

November 7, 2022 — 3 Comments

Festivals and Conferences

Leeds International Film Festival, 3 November-17 November 2022

November 2, 2022 — 6 Comments

French Cinema

Masculin féminin (France-Sweden 1966)

November 1, 2022 — 0 Comments

African-American Cinema, Biopic, Films by women, Melodrama

Harriet (US 2019)

October 25, 2022 — 1 Comment

Bengali Cinema, Films by women, Indian Cinema, Melodrama

Parama (The Ultimate Woman, India, Bengali 1984)

October 19, 2022 — 0 Comments

British Cinema, Comedies

Live Now – Pay Later (UK 1962)

October 15, 2022 — 1 Comment

Hollywood, Melodrama, Romance, the Western

John Ford #10: Rio Grande (US 1950)

October 11, 2022 — 0 Comments

Documentary, Hindi Cinema, Indian Cinema

Invisible Demons (India-Finland-Germany, English, Hindi 2021)

October 10, 2022 — 0 Comments

Comedies, Films by women, French Cinema, Romance

Anaïs in Love (Les amours d’Anaïs, France 2021)

October 8, 2022 — 0 Comments

Censorship, Central Asia, Literary adaptations

One Second (China-HK 2020)

October 5, 2022 — 1 Comment

… reposted this!

I can't bring myself to see Hamnet, not having liked the book. I really enjoyed Riz Ahmed's version

I was also sceptical about all the hype but I watched the film last year and it absolutely deserved it.…

Regarding the absence of adverts, I assumed that this was special treatment for the the title. So I was suggesting…

When I tried to watch the film on All4 (ie on 'catch-up') my first tries were fruitless -- it simply…

itp Global Film

Films from everywhere and every era. (Formerly The Case for Global Film)