The Case for Global Film

The Case for Global Film

Films from everywhere and every era
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Monthly Archives: October, 2016

  • LFF2016 #8: Clash (Eshtebak, Egypt-France-Germany 2016) October 31, 2016
  • I, Daniel Blake (UK-France-Belgium 2016) October 30, 2016
  • The Girl on the Train (US 2016) October 28, 2016
  • LFF2016 #7: Divines (France-Qatar 2016) October 27, 2016
  • LFF2016 #6: These Days (Questi Giorni, Italy 2016) October 26, 2016
  • Le Giornate del Cinema Muto 35 October 22, 2016
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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Jean-Luc Godard, 1930 to 2022
    • Michael Walker 1942 to 2022
    • The Magnificent Ambersons (US 1942)
    • ‘The Three Godfathers’ – novel and film
    • BAFTAS 2022
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Nope (US-Canada-Japan 2022)
    • Three short films by Éric Rohmer
    • An Autumn Tale (Conte d’automne, France 1998)
    • Night Moves (US 1975)
    • The Girl with a Bracelet (La fille au bracelet, France-Belgium 2019)

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