For the last few years I’ve always tried to visit the annual LFF for three or four days. It’s one of the few benefits of BFI Membership for us ‘out-of-towners’ and although it is an expensive few days, it has always felt worthwhile because of the possibility of finding, among the 250 or so films, some gems that are unlikely to get into UK distribution. It is good for me to feel that I have some grasp of what is going on in international non-Hollywood film and the LFF possibly helps in this, especially since most filmmakers are also present at the their screenings.
The Covid Pandemic has changed everything. This year’s festival has a greatly reduced selection of titles, only some of which will play in cinemas. But in addition, there is a wide selection of festival screenings being offered online via BFI Player. Personally, I’m still in restricted lockdown and I have no desire to travel to London or to go into a cinema anywhere in the current ‘Second Wave’ context. So I’ve purchased some online tickets. I’ve already discovered that there are some significant benefits and disbenefits of an online festival on the scale of LFF. I’ve already tried online visits to some smaller festivals and that has been fine but London is a different issue.
First, it’s nice to save the not inconsiderable cost of train fares and either hotel rooms or rail/tube costs if I stay with friends. I can also make my own tea/coffee and snacks. On the other hand I lose the big screen experience and most online tickets are actually more expensive than the matinee prices I usually pay as an old person. When I got down to actually booking tickets E-tickets, I also realised that the restrictions of screening times in different venues does not totally disappear in the online context. You can check the various procedures and see the programme on the festival website here. I’ll just mention a couple of the issues.
The first point is that you’ll have to use the BFI Player, which so far I’ve only used for free Archive films. The tickets are £10 or more (the usual price of BFI Player screenings I think unless you are a monthly subscriber). Secondly, the online titles are available only at set times. Some titles are showing only once and you must start viewing within 30 minutes of the designated time. Other titles are available over a 72 hour period and one is available over 96 hours. Once you start watching a film, you must complete your viewing in 3 hours. I find it difficult to watch a whole film on my desktop computer in one sitting as it is not a comfortable viewing environment. We’ll have to see how it works out. I think there are some filmmaker intros or Q&As (possibly pre-recorded?) as well as some ‘Industry Events’ and talks. The other big bonus in 2020 is that if you live outside London, there are some cinemas in major cities which are screening a small number of the high profile LFF films during the festival.
I’ve followed my usual strategy of ignoring anything American or mainstream UK and anything that will obviously get a UK release. Instead, I tend to go for Latin America, Africa, Asia and smaller European film industries. This year I’ve gone for films from Mexico, Argentina, Iran, Bangladesh, China, Czech Republic and Ireland. The Iranian film is an archive restoration and it’s free, like two other archive picks. I’ll let you know how the experience works out in a few weeks time (screenings from 10-16 October). Whatever happens, kudos for BFI Festival organisers in getting things organised. Buying the tickets, at least, proved to be painless.