Casting is a German film by Nicolas Wackerbarth who also wrote the film with Hannes Held. The whole film is improvised and Wackerbath told us in the Q&A at the London Film Festival that he shot 80 hours of footage because once his actors started improvising he just let the recordings run on. What was then achieved in the editing suite by the director and editor Saskia Metten is a tight 91 minute film. The narrative concerns an attempt to remake Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant as a television studio production by a documentarist making her fiction feature début. This is Vera (Judith Engel), a seemingly fearless director who insists on auditioning all the female stars who may play the lead role. She has also decided to make the central couple a man and a woman (instead of the two women at the centre of the original) and she uses Gerwin (Andreas Lust) a ‘line reader’ to play opposite these women during their auditions. Her quite firm instructions to the women disrupt their usual preparations for an audition and as the planned shooting schedule looms ever nearer, Vera still hasn’t decided on a female lead and the TV executives and the crew are growing anxious.
Introducing the film, Wackerbarth jokingly asked how many of the audience knew Fassbinder’s film and that clearly is an issue for any future audience. I couldn’t remember too much about the plot of the Fassbinder film, but I recalled images and I’ve seen enough Fassbinder films to recognise that Wackerbath was weaving elements of Fassbinder’s usual concerns into the exchanges between the actors and director (and the crew) in these audition scenarios. The film does have a central narrative drive in the sense that we know that she must eventually make a decision about casting before the executives and crew give up on her. At the same time, we feel for Gerwin who plays in every audition sequence and who begins to believe that he might eventually actually get a part. In the interview below from Berlin, the director explains the background to the production and discusses the film at length (in English). Just a few minutes in there is a (subtitled) extract from the film with two scenes featuring Gerwin and two of the actors who are auditioning.
Casting was an unexpected film for my first screening during this year’s festival. I struggled for the first couple of scenes to understand what was happening (I’d misheard the director’s announcement). The film is produced by a German regional TV station (Südwestrundfunk or SWR) but has been launched onto the international festival circuit with a screening first at Berlin at the start of 2017. The setting is clearly a rather spartan TV studio and the film opens much like a ‘fly on the wall’ documentary as we follow the first auditioning actor into make-up. But quickly we realise that this is a fiction which attempts to expose, as in Fassbinder, the heirarchies that exist in the studio. Vera is in charge of the auditions but at the mercy of the producers. In turn they have to rely on her having invested time and money. Everyone else is trying to get something out of the situation for themselves. It’s a comedy and often very funny, but it’s not the kind of German comedy that proved so successful for Toni Erdmann last year. In many ways it is more cynical and more truthful about the acting profession (Wackerbarth was once an actor) and the difficult times under pressure for everyone. In the end, I enjoyed the film very much but I’m not sure how it would fare on a cinema release. I’d like to give credit to all the cast, many of whom are, I think, distinguished theatre and TV players. Andreas Lust has had lead roles in important films like Revanche (Austria 2009). Unfortunately from the promotional material online I’ve found it hard to discover which actors played specific parts.
There is also an interesting set of clips and a review on Cineuropa’s website.