This programme, organised by McLaren 2014 in partnership with the National Film Board of Canada, is a celebration of one hundred years on from the birth of Scottish animator and filmmaker Norman McLaren. In Yorkshire both the Hyde Park Picture House (Friday August 8th) and the National Media Museum (Sunday August 3rd and Saturday 9th) are offering screenings. And both venues are also offering Digital Animation Workshops (with different age ranges – for HPPH) in which participants can use the McLaren iPad App (National Film Board of Canada) to create short animations. These will later to uploaded to the McLaren 2014 Website.
Norman McLaren was born in Stirling on April 11th 1914. He studied at the Glasgow School of Art. His notable films include Hell Unlimited (1936) an impressive and innovatory anti-war short film with touches of the surreal. This film led to him being invited to join the GPO Film Unit by John Grierson in 1936. He also worked as a cameraman in Spain during the war to defend the Spanish Republic from the fascist rebellion. He emigrated to the USA in 1939 and in 1941 was invited by Grierson (again) to join the newly formed National Film Board of Canada. He also worked in Asia for a time helping to develop visual methods in overcoming illiteracy. He died in 1987.
McLaren frequently worked on live-action documentaries and animated films where he drew directly onto the celluloid. He was an important innovator in the techniques of drawing on film and also experimented with 3D animation and animation translated into synthetic sound waves.
He won an Academy Award for his 1952 live action film Neighbours, which made use of pixilation techniques.
The screenings will feature 13 of his short animations, mainly from his work at the National Film Board of Canada. His best works are beautifully drawn, technically assured and both stimulating and sometimes very humorous. His technical ability encompassed a range of styles, including abstract works. The prime focus tends to be movement and colour is often added for emotional resonance. Included in the screenings will be his first professional film, Love on the Wing (1938), an advertisement for the Empire Mail Service, but also an exercise in technique and surreal combinations: a war-time contribution V is for Victory (1941): A Chairy Tale (1957) which ‘brings to life inanimate objects’: Blinkity Blank (1959) which explores motion by painting directly onto raw film stock: and Pas de Deux (1968), a live-action film of ballet dancers, which uses step-printing on an optical printer.
The workshops promise to be instructive but also fun. And the screenings offer a rare opportunity to see masterworks from the field of animation on the big screen.
Hyde Park Picture House – email: firstname.lastname@example.org