Tagged: films about women

Women of the Sand Brings Urgency to Timelessness

We received this piece from Andrea Swift at the New York Film Academy. It describes a film that may be of interest to our readers, so we decided to post it:

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Director Richard Wolf has produced more than 30 documentary films in his career, many for international television networks (CNN, BBC, etc.).  Much of his work focuses on the plight of women in third world countries.

As he puts it the, “humanistic values that are deeply reflected in our films… are simple yet gripping because they tap into universal emotions.” In short, Wolf’s vision touches the heart.  But his 2008 film,Women of the Sand, enthralls the eyes, the mind and the soul as well – at least according to the selection committee for Museum of Modern Art (MOMA) in New York.  Last year, the film became one of the select few to enter the museum’s permanent selection – and for good reason.

Women of the Sand focuses on the women at the heart of communities of Islamic nomads in the Sahara Desert, specifically in Mauritania.  An unmitigated, cinéma vérité experience of the women’s daily routines, carries filmgoers into the meager existence of this millennia-old culture and engages us in their struggle against growing desertification.  The visuals are stunning – a sculptural contemplation of wind blowing across shape-shifting dunes that rise and drop.  The occasional trees and bushes are as sparse as the humans who stand improbably against this arid climate. Those same winds also catch the thin fabrics of tents and lean-tos, and of the traditional fabrics worn by the men, women and children of these unsettled communities.  Heads peaking out from inside their moulafas, the women tell their stories of survival in this harsh climate, of the challenges they navigate just to feed, cloth and educate their children.  They also speak of the green plants that come forth in the rainy season – the basis of all that makes life worth living. Their focus is not on the dryness and the more frequent times when food is less plentiful, though to outsiders those stark climatic conditions make it impossible not to contemplate the fragility of life. These “women of the sand” are resilient people who speak of the friendliness of the desert and desert people.  One woman says she prefers that to the coolness she observes between people in the cities she, evidently, has visited.

We also learn that the desert expands by about six miles per year, challenging their beloved and centuries old nomadic ways.  Over a lifetime, that means 360 more miles of largely barren sand will overtake arable land, making those green plants a sparser and sparser presence in their world.  It is a losing battle against scarcity that drives more interaction with non-nomads, disrupting their way of life.  Long term, it threatens to seriously diminish, perhaps even end the nomad culture.

While MOMA selects films for its collection for a broad range of reasons, the unifying criteria, according to the institution’s website, is innovation. That innovation may come into play in the film’s structure, narration or in its success immersing the viewer in the subject.   One particularly striking example ofWomen of the Sand’s immersive quality gives us real insight into the nomad’s experience of modernity:  In a tent on a rug that are all that separates them from endless, depthless sand, flies walk on the women’s hands and wrists, as they type on the keyboard of a laptop computer with the same skill they later demonstrate creating traditional fabric on a loom.  Technology may or may not be useful to them.  One mother explains they do not consider it particularly impressive or important.  But will their children – who attend school in a tent, seated on the ground, feel the same way?  Through a string of such moments,Women of the Sand creates a compelling tension between its exploration of a vanishing way of life, and a simultaneously contemplation its abiding continuity.

Produced by C. Litewski and Lucy Barbosa, directed by Richard Wolf, Women of the Sand is available on DVD (see below). Wolf studied film direction at the New York Film Academy. He also studied documentary production at the Global Village School, also in New York. Part of his signature style is to blend very candid, personal one-on-one testimonies with monstrously out-proportioned imagery that is said to provide a global context to a very intimate story. The production company is Lobo Docs.

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Andrea Swift is Chair of the Documentary Program at the New York Film Academy. She earned her Masters in Fine Arts degree from Columbia University and was the executive producer of the ‘In the Life’ documentary series for the PBS network, among many other credits. Her ‘nuclear folktale’ Deafsmith was featured at the United Nations Earth Summit, won a Silver at the Chicago International Film Festival and took second prize at the American Film and Video Festival.

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A free low resolution streamed presentation of Women of the Sand is available on SnagFilms (with some forced ad breaks). The film can be purchased from the same website on this page or downloaded/rented on this page. The DVD appears to be Region 0 and the film was made in 2003.

Trailer:

Crowd-sourcing a film to shoot in Africa

A still from the proposal for ‘Yefon’

We received this message from Martin Stein about a new African film to be developed via Kickstarter.com

I’ve read the message and checked out the website for the film proposal. It’s very interesting to see what ‘crowd-sourcing’ a film looks like in practice and the subject for the film is one that everyone ought to support – women’s education in West Africa. I’m still not quite clear exactly what kind of film is being proposed. From the very glossy proposal it looks like a film produced from the US about a social issue in Cameroon.

A little context is useful here. There is a growing trend for film projects to be developed by West African filmmakers with US partners. This is part of a coming together of Nollywood and African-American filmmakers to create films for both Nigerian and diaspora markets. The movements in the opposite direction have up to now been mostly concerned with US directors and actors working in South Africa, but also other parts of Africa – and Hotel Rwanda is one film mentioned in the message below. This proposal appears to include a range of creative talent drawn from the US, Nigeria and South Africa.

The driving force behind the proposal is Sahndra Fon Dufe, who is the writer and who plays the central character. She comes from Cameroon and has presumably trained in the US where she currently works. I can’t fault the proposal in any way and she fronts it persuasively. There is part of me that is excited by the prospect of a global project to “put Cameroon and its stories on the map”. But there is also another part of me slightly concerned by a US-led project to make, as the proposal puts it, “the first major production in Cameroon” which is a “virgin country for film”. I wish I knew more about film in Cameroon, but I think that there have been many locally-made films before – perhaps not in the region where the story is set? I suspect that the most activity has been in Francophone Cameroon but I would be surprised if there was no interest in the Anglophone part.

I confess that I’m sceptical about most of those films made by Hollywood in South Africa – will this be a better bet? Is it good to have a bigger budget because there are known stars attached? Are there any local Cameroonian actors and crew who will take part in the production and what are the plans to show the film in Cameroon? It would be good to see these questions addressed in the proposal. Anyway, have a look at the proposal, and especially the video presentation (via the link below), and make up your own mind.

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“A young African woman with dreams of becoming a teacher takes reading and writing lessons from a visiting American. But, when the male village elders find out, she is sentenced to death for breaking from tradition.

Yefon is a film that continues in the proud tradition of socially conscious, Africa-based cinema like Hotel Rwanda, Beat the Drum  and Sarafina — but unlike those movies, its producers will come from the ranks of generous Kickstarter supporters: http://www.kickstarter.com/projects/405663859/yefon-the-movie

It has already attracted the attention of Hollywood stars like Jimmy Jean-Louise (“Tears of the Sun” “Heroes”), Adriana Barraza (Best Supporting Actress Oscar nominee, “Babel”) and Hakeem Kae-Kazim (“Hotel Rwanda”). The film is being co-produced by Justin Massion, the director of the Kickstarter campaign for “Space Command,” which brought in $75,000 in just three days, and ended with over $200,000—making it one of the crowd-funding platform’s top 10 projects.

“Yefon” is the brainchild of 22-year-old actress and filmmaker Sahndra Fon Dufe, who got her inspiration from too many similar, true stories from Africa. Broken-hearted by this sad reality, she and the production team have pledged to use a portion of the proceeds from the sale of the film, a companion documentary, books and related merchandise to build an all-girls school in Nso, the Cameroon village where “Yefon” is set.

As well as playing a role in helping to correct this grievous wrong and set free generations of women, Kickstarter contributors receive amazing gifts, including African couture, masks, jewelry and art; tickets to red carpet premieres; opportunities to meet the cast and crew; and more.

With only 9 days left to reach the goal of $50,000, we can offer more information, artwork and even interviews with Fon Dufe and others so you can help spread the word about this important project.

Thanks!”