Hollywood

Suspicion (US 1941) – Studying a Classical Hollywood film and its production context

May 26, 2022 — 2 Comments

French Cinema, Literary adaptations

Deception (Tromperie, France 2021)

May 22, 2022 — 0 Comments

Comedies, French Cinema

Une belle fille comme moi (A Gorgeous Girl Like Me, France 1972)

May 20, 2022 — 0 Comments

Directors, Hollywood

The Magnificent Ambersons (US 1942)

May 18, 2022 — 0 Comments

American Independents, Nordic Cinema, Norwegian Cinema

Louder Than Bombs (Norway-France-Denmark-US 2015)

May 17, 2022 — 0 Comments

British Cinema, Documentary

The Edge (UK 2019)

May 16, 2022 — 0 Comments

British Cinema, Films by women, Romance

The Souvenir (UK 2019) and The Souvenir: Part II (UK 2021)

May 11, 2022 — 3 Comments

Chinese Cinema, Films by women, Hong Kong cinema, Melodrama, Romance

Love After Love (Di yi lu xiang, China 2020)

May 5, 2022 — 0 Comments

American Independents, Film history, Films by women

Girlfriends (US 1978) and Claudia Weill

May 2, 2022 — 3 Comments

American Independents

The ‘International Epic’: El Cid (US-Italy 1961)

April 27, 2022 — 1 Comment

Festivals and Conferences, Films by women, Latin American Cinema, Swedish Cinema

¡Viva! 28 #7: Clara Sola (Sweden-Costa Rica-Belgium-Germany-France-US 2021)

April 19, 2022 — 0 Comments

Comedies, Festivals and Conferences, Spanish Cinema

¡Viva! 28 #6: Patrimonio nacional (National Heritage, Spain 1980)

April 12, 2022 — 0 Comments