So a real treat for fans of ‘reel’ film in West Yorkshire courtesy of The Celluloid Sorceress; The three earliest [the best] of the ‘Alien’ franchise from 70mm prints in the fine Pictureville auditorium at Bradford’s Media Museum. The event starts at 1300 with an introduction by the ‘Sorceress’ followed by the three films in chronological order.

Alien (1979) is undoubtedly a seminal movie. Ridley Scott, the space ship Nostromo and the star-studded crew offered a new downbeat style for science fiction. H. R. Giger’s designs for the monster crossed numerous mediums and spawned numerous copies. The shock value of one particular scene has diminished over the years but the film remains fascinating and exciting.

In 2002, Alien was deemed “culturally, historically or aesthetically significant” by the Library of Congress and was selected for preservation in the United States National Film Registry.

In 2008, it was ranked by the American Film Institute as the seventh-best film in the science fiction genre, and as the thirty-third greatest film of all time by Empire magazine.” (Wikipedia)

It also remains the best of the lengthy series.

Aliens (1986) has become a cult film. It also benefited the British film industry being shot mainly at the Pinewood studio. Typically for the director James Cameron this title is longer on action and pyrotechnics than it is on character. It does have a very ingenious climatic battle.

Alien³ (1992)

The oddball variant of the trio. David Fincher’s film marries science fiction, religion and myth in a distinct manner. It transposes  in its fullest form a motif [seen in Alien] of serial killer films to sci-fi, the labyrinth. It is also [literally and metaphorically] the darkest of the film series.

All three films screen in blow-ups from 35mm to 70mm, though Alien³ used 65mm film stock for the special effects. 70mm prints are really rare these days and here are three all together